I have to say it is one of the tastiest cuts of this type in their discography. The abundant fuzz-drenched guitars and feedback layers are overflowing right from the start, as opener “prologue sansaro” unfolds a dense atmosphere with a shoegaze touch throughout its 15-minute span. fade is an ample sonic odyssey with a post-apocalyptic vibe attached to it. Based on the long, doom droning epics of albums such as Amplifier Worship, Dronevil or more recently, Love & Evol, the Japanese trio really catered to their fans. That one contained some of the most manic songs from the three and now, out of nowhere came fade. First, the icy, electronic-meets-drone dirges of W and then the heavily contrasting third installment in the Heavy Rocks series. Brejcha even picks up the desire of his ans to weave a few quieter tracks into his cosmos.Review Summary: An ocean of fuzz drenched drone…īoris really celebrated their 30th anniversary this year, the gift that keeps on giving. On the album 'Feuerfalter' this individuality is turned on. This creates a music that may be accompanied on Brejchas audience the whole day: at home, in a relaxed atmosphere or just at night, when the trip through the clubs starts. The influences of his travelings and performances characterize his art again. Times slightly floating, sometimes wild hitting the wing, always full of passion. An album that deliberately shows how the artist works versatile. The fourth album is exactly the description of this 'Feuerfalter', a kind of backflash into the impressive career of Boris Brejcha. This is how it feels when Brejcha makes music. On one side the butterfly is relaxing and floating on the wind, but on the other hand he also sets with steam and fire to a fall into a low altitude.

The music by Boris Brejcha is like a 'Feuerfalter' (copper). Almost 180,000 different species live in 127 families. Music is colorful, diverse and vibrant as the butterflies.

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